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110
doc/3-pattern/README.md
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@ -4,41 +4,85 @@ the pattern view allows you to edit the song.
![pattern view](pattern.png)
a pattern consists of columns ("channels") and rows.
a pattern consists of columns ("channels") and numbered rows.
each column has several subcolumns in this order:
1. note
2. instrument
3. volume
4. effect and effect value (several)
4. effects, split into effect type and effect value
all columns are represented in hexadecimal, except for the note column.
# managing channels
row highlights show beats and measures, and are configured in the [the Speed window](../2-interface/song-info.md).
you may mute channels, toggle solo mode, collapse channels or even hide them.
clicking on a channel name mutes that channel.
double-clicking or right-clicking it enables solo mode, in where only that channel will be audible.
clicking the `++` at the top left corner of the pattern view displays additional buttons for channel configuration:
![channel bar](channelbar.png)
to rename and/or hide channels, see the Channels window (window > channels).
![channels](channels.png)
# cursor and selection
## cursor and selection
you may change the cursor position by clicking anywhere on the pattern.
to select, press and hold the left mouse button. then drag the mouse and release the button to finish selection.
to select an area, press and hold the left mouse button. then drag the mouse and release the button to finish selection.
# keyboard layout
right-clicking within the pattern view brings up a pop-up menu with everything in the [edit menu](../2-interface/menu-bar.md) that makes sense for entering data or altering a selected area.
## shortcuts
## channel bar
using the channel bar, you may adjust several aspects of the channel display.
![channel bar](channelbar.png)
clicking on a channel name mutes that channel.
double-clicking or right-clicking it enables solo mode, in which only that channel will be audible.
clicking the `++` at the top left corner of the pattern view cycles through three channel bar view modes:
- **Compact**: shows only channel names.
- **Expanded**: as shown above. adds buttons:
- **-**: collapse visible columns. changes to **+** when columns are hidden; click to expand them.
- **<**: disables the last effect column and hides it. effects are not deleted...
- **>**: adds an effects column. if one previously existed, its contents will be preserved.
- **Pattern names**: adds a text field with which one can name the current pattern. pattern names are also visible when hovering over a pattern in the order list.
right-clicking the `++` toggles the visualizer, which is active only during playback.
to rename and/or hide channels, open [the Channels window](../8-advanced/channels.md) via the window menu.
# input
## note input
![keyboard](keyboard.png)
- pressing any of the respective keys will insert a note at the cursor's location, then advance to the next row (or otherwise according to the Edit Step.)
- **note off** turns off the last played note in that channel (key off for FM; note cut otherwise).
- **note release** triggers macro release (and in FM channels it also triggers key off).
- **macro release** does the same as above, but does not trigger key off in FM channels.
- **toggle edit** enables and disables editing. when editing is enabled, the cursor's row will be shaded red.
## instrument/volume input
type any hexadecimal number (0-9 and A-F). the cursor will move by the Edit Step when a suitable value is entered.
## effect input
works like the instrument/volume input.
each effect column has two subcolumns: effect and effect value.
if the effect value is not present, it is treated as `00`.
most effects run until canceled using an effect of the same type with effect value `00`, with some exceptions.
here's [a list of effect types](effects.md).
# keyboard shortcuts
these are the default key functions. all keys are configurable in the Keyboard tab of the Settings window.
key | action
------------|-----------------------------------------------------------------
@ -68,31 +112,3 @@ Ctrl-F2 | transpose selection (+1 semitone)
Ctrl-F3 | transpose selection (-1 octave)
Ctrl-F4 | transpose selection (+1 octave)
Space | toggle note input (edit)
## note input
![keyboard](keyboard.png)
- pressing any of the respective keys will insert a note at the cursor's location, and then advance it by the Edit Step.
- note off turns off the last played note in that channel (key off for FM; note cut otherwise).
- note release triggers macro release (and in FM channels it also triggers key off).
- macro release does the same as above, but does not trigger key off in FM channels.
## instrument/volume input
type any hexadecimal number (0-9 and A-F). the cursor will move by the Edit Step when a suitable value is entered.
## effect input
works like the instrument/volume input.
each effect column has two subcolumns: effect and effect value.
if the effect value is not present, it is treated as `00`.
most effects run until canceled using an effect of the same type with effect value `00`, with some exceptions.
here's [a list of effects](effects.md).
# pop-up menu
right-clicking within the pattern view brings up a pop-up menu with everything in the [edit menu](../2-interface/menu-bar.md) that makes sense for entering data or altering a selected area.

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269
doc/7-systems/tia.md
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@ -25,4 +25,271 @@ Furnace isn't complete without this one...
- `C`: low square
- `D`: low square
- `E`: low pure buzzy
- `F`: low reedy
- `F`: low reedy
# tables
pitch number can be used for absolute notes in arpeggio macros.
## shape 1
| pitch | NTSC | note | cent | PAL | note | cent
|------:|--------:|:----:|-----:|--------:|:----:|-----:
| 0 | 2096.0 | C-7 | +2 | 2080.0 | C-7 | -1
| 1 | 1048.0 | C-6 | +2 | 1040.0 | C-6 | -1
| 2 | 698.7 | F-5 | 0.0| 693.3 | F-5 | -1
| 3 | 524.0 | C-5 | +2 | 520.0 | C-5 | -1
| 4 | 419.2 | G#4 | +16 | 416.0 | G#4 | +3
| 5 | 349.3 | F-4 | 0.0| 346.7 | F-4 | -13
| 6 | 299.4 | D-4 | +33 | 297.1 | D-4 | +20
| 7 | 262.0 | C-4 | +3 | 260.0 | C-4 | -11
| 8 | 232.9 | A#3 | -2 | 231.1 | A#3 | -15
| 9 | 209.6 | G#3 | +15 | 208.0 | G#3 | +2
| 10 | 190.5 | F#3 | +50 | 189.1 | F#3 | +37
| 11 | 174.7 | F-3 | +1 | 173.3 | F-3 | -13
| 12 | 161.2 | E-3 | -39 | 160.0 | D#3 | +48
| 13 | 149.7 | D-3 | +33 | 148.6 | D-3 | +20
| 14 | 139.7 | C#3 | +13 | 138.7 | C#3 | +1
| 15 | 131.0 | C-3 | +3 | 130.0 | C-3 | -11
| 16 | 123.3 | B-2 | -3 | 122.4 | B-2 | -16
| 17 | 116.4 | A#2 | 0.0| 115.6 | A#2 | -14
| 18 | 110.3 | A-2 | +5 | 109.5 | A-2 | -8
| 19 | 104.8 | G#2 | +16 | 104.0 | G#2 | +3
| 20 | 99.8 | G-2 | +31 | 99.0 | G-2 | +17
| 21 | 95.3 | G-2 | -49 | 94.5 | F#2 | +36
| 22 | 91.1 | F#2 | -27 | 90.4 | F#2 | -40
| 23 | 87.3 | F-2 | 0.0| 86.7 | F-2 | -12
| 24 | 83.8 | E-2 | +29 | 83.2 | E-2 | +16
| 25 | 80.6 | E-2 | -39 | 80.0 | D#2 | +48
| 26 | 77.6 | D#2 | -5 | 77.0 | D#2 | -18
| 27 | 74.9 | D-2 | +34 | 74.3 | D-2 | +20
| 28 | 72.3 | D-2 | -27 | 71.7 | D-2 | -41
| 29 | 69.9 | C#2 | +15 | 69.3 | C#2 | 0
| 30 | 67.6 | C#2 | -44 | 67.1 | C-2 | +44
| 31 | 65.5 | C-2 | +3 | 65.0 | C-2 | -11
## shapes 2, 3
| pitch | NTSC | note | cent | PAL | note | cent
|------:|--------:|:----:|-----:|--------:|:----:|-----:
| 0 | 67.6 | C#2 | -44 | 67.1 | C-2 | +44
| 1 | 33.8 | C#1 | -42 | 33.5 | C-1 | +42
| 2 | 22.5 | F#0 | -46 | 22.4 | F-0 | +46
| 3 | 16.9 | C#0 | -44 | 16.8 | C-0 | +44
| 4 | 13.5 | | | 13.4
| 5 | 11.3 | | | 11.2
| 6 | 9.7 | | | 9.6
| 7 | 8.5 | | | 8.4
| 8 | 7.5 | | | 7.5
| 9 | 6.8 | | | 6.7
| 10 | 6.1 | | | 6.1
| 11 | 5.6 | | | 5.6
| 12 | 5.2 | | | 5.2
| 13 | 4.8 | | | 4.8
| 14 | 4.5 | | | 4.5
| 15 | 4.2 | | | 4.2
| 16 | 4.0 | | | 4.0
| 17 | 3.8 | | | 3.7
| 18 | 3.6 | | | 3.5
| 19 | 3.4 | | | 3.4
| 20 | 3.2 | | | 3.2
| 21 | 3.1 | | | 3.0
| 22 | 3.0 | | | 2.9
| 23 | 2.8 | | | 2.8
| 24 | 2.7 | | | 2.7
| 25 | 2.6 | | | 2.6
| 26 | 2.5 | | | 2.5
| 27 | 2.4 | | | 2.4
| 28 | 2.3 | | | 2.3
| 29 | 2.3 | | | 2.2
| 30 | 2.2 | | | 2.2
| 31 | 2.1 | | | 2.1
## shapes 4, 5
| pitch | NTSC | note | cent | PAL | note | cent
|------:|--------:|:----:|-----:|--------:|:----:|-----:
| 0 | 15720.0 | B-9 | -9 | 15600.0 | B-9 | -23
| 1 | 7860.0 | B-8 | -9 | 7800.0 | B-8 | -23
| 2 | 5240.0 | E-8 | -11 | 5200.0 | E-8 | -25
| 3 | 3930.0 | B-7 | -10 | 3900.0 | B-7 | -23
| 4 | 3144.0 | G-7 | +4 | 3120.0 | G-7 | -9
| 5 | 2620.0 | E-7 | -11 | 2600.0 | E-7 | -25
| 6 | 2245.7 | C#7 | +21 | 2228.6 | C#7 | +8
| 7 | 1965.0 | B-6 | -9 | 1950.0 | B-6 | -23
| 8 | 1746.7 | A-6 | -13 | 1733.3 | A-6 | -27
| 9 | 1572.0 | G-6 | +4 | 1560.0 | G-6 | -9
| 10 | 1429.1 | F-6 | +39 | 1418.2 | F-6 | +25
| 11 | 1310.0 | E-6 | -11 | 1300.0 | E-6 | -25
| 12 | 1209.2 | D-6 | +49 | 1200.0 | D-6 | +36
| 13 | 1122.9 | C#6 | +22 | 1114.3 | C#6 | +8
| 14 | 1048.0 | C-6 | +2 | 1040.0 | C-6 | -11
| 15 | 982.5 | B-5 | -10 | 975.0 | B-5 | -23
| 16 | 924.7 | A#5 | -15 | 917.6 | A#5 | -28
| 17 | 873.3 | A-5 | -14 | 866.7 | A-5 | -27
| 18 | 827.4 | G#5 | -7 | 821.1 | G#5 | -20
| 19 | 786.0 | G-5 | +4 | 780.0 | G-5 | -9
| 20 | 748.6 | F#5 | +20 | 742.9 | F#5 | +7
| 21 | 714.5 | F-5 | +39 | 709.1 | F-5 | +26
| 22 | 683.5 | F-5 | -38 | 678.3 | E-5 | +48
| 23 | 655.0 | E-5 | -12 | 650.0 | E-5 | -25
| 24 | 628.8 | D#5 | +18 | 624.0 | D#5 | +5
| 25 | 604.6 | D-5 | +49 | 600.0 | D-5 | +36
| 26 | 582.2 | D-5 | -16 | 577.8 | D-5 | -29
| 27 | 561.4 | C#5 | +21 | 557.1 | C#5 | +8
| 28 | 542.1 | C#5 | -40 | 537.9 | C-5 | +47
| 29 | 524.0 | C-5 | +2 | 520.0 | C-5 | -11
| 30 | 507.1 | B-4 | +45 | 503.2 | B-4 | +32
| 31 | 491.3 | B-4 | -9 | 487.5 | B-4 | -23
## shapes 6, 7, 9, 10
| pitch | NTSC | note | cent | PAL | note | cent
|------:|--------:|:----:|-----:|--------:|:----:|-----:
| 0 | 1014.2 | B-5 | +45 | 1006.5 | B-5 | +32
| 1 | 507.1 | B-4 | +45 | 503.2 | B-4 | +32
| 2 | 338.1 | E-4 | +43 | 335.5 | E-4 | +30
| 3 | 253.5 | B-3 | +45 | 251.6 | B-3 | +32
| 4 | 202.8 | G#3 | -42 | 201.3 | G-3 | +45
| 5 | 169.0 | E-3 | +43 | 167.7 | E-3 | +30
| 6 | 144.9 | D-3 | -23 | 143.8 | D-3 | -37
| 7 | 126.8 | B-2 | +42 | 125.8 | B-2 | +32
| 8 | 112.7 | A-2 | +42 | 111.8 | A-2 | +28
| 9 | 101.4 | G#2 | -41 | 100.6 | G-2 | +45
| 10 | 92.2 | F#2 | -6 | 91.5 | F#2 | -19
| 11 | 84.5 | E-2 | +43 | 83.9 | E-2 | +31
| 12 | 78.0 | D#2 | +4 | 77.4 | D#2 | -9
| 13 | 72.4 | D-2 | -24 | 71.9 | D-2 | -37
| 14 | 67.6 | C#2 | -44 | 67.1 | C-2 | +44
| 15 | 63.4 | B-1 | +46 | 62.9 | B-1 | +32
| 16 | 59.7 | A#1 | +41 | 59.2 | A#1 | +26
| 17 | 56.3 | A-1 | +39 | 55.9 | A-1 | +27
| 18 | 53.4 | G#1 | +48 | 53.0 | G#1 | +35
| 19 | 50.7 | G#1 | -41 | 50.3 | G-1 | +45
| 20 | 48.3 | G-1 | -25 | 47.9 | G-1 | -39
| 21 | 46.1 | F#1 | -4 | 45.7 | F#1 | -20
| 22 | 44.1 | F-1 | +16 | 43.8 | F-1 | +4
| 23 | 42.3 | E-1 | +44 | 41.9 | E-1 | +28
| 24 | 40.6 | E-1 | -26 | 40.3 | E-1 | -39
| 25 | 39.0 | D#1 | +4 | 38.7 | D#1 | -9
| 26 | 37.6 | D-1 | +41 | 37.3 | D-1 | +27
| 27 | 36.2 | D-1 | -24 | 35.9 | D-1 | -38
| 28 | 35.0 | C#1 | +19 | 34.7 | C#1 | +5
| 29 | 33.8 | C#1 | -42 | 33.5 | C-1 | +42
| 30 | 32.7 | C-1 | 0.0 | 32.5 | C-1 | -11
| 31 | 31.7 | B-0 | +44 | 31.5 | B-0 | +33
## shapes 8
| pitch | NTSC | note | cent | PAL | note | cent
|------:|--------:|:----:|-----:|--------:|:----:|-----:
| 0 | 61.5 | B-1 | -6| 61.1 | B-1 | -18
| 1 | 30.8 | B-0 | -6| 30.5 | B-0 | -22
| 2 | 20.5 | E-0 | -8| 20.4 | E-0 | -17
| 3 | 15.4 | | | 15.3
| 4 | 12.3 | | | 12.2
| 5 | 10.3 | | | 10.2
| 6 | 8.8 | | | 8.7
| 7 | 7.7 | | | 7.6
| 8 | 6.8 | | | 6.8
| 9 | 6.2 | | | 6.1
| 10 | 5.6 | | | 5.6
| 11 | 5.1 | | | 5.1
| 12 | 4.7 | | | 4.7
| 13 | 4.4 | | | 4.4
| 14 | 4.1 | | | 4.1
| 15 | 3.8 | | | 3.8
| 16 | 3.6 | | | 3.6
| 17 | 3.4 | | | 3.4
| 18 | 3.2 | | | 3.2
| 19 | 3.1 | | | 3.1
| 20 | 2.9 | | | 2.9
| 21 | 2.8 | | | 2.8
| 22 | 2.7 | | | 2.7
| 23 | 2.6 | | | 2.5
| 24 | 2.5 | | | 2.4
| 25 | 2.4 | | | 2.3
| 26 | 2.3 | | | 2.3
| 27 | 2.2 | | | 2.2
| 28 | 2.1 | | | 2.1
| 29 | 2.0 | | | 2.0
| 30 | 2.0 | | | 2.0
| 31 | 1.9 | | | 1.9
## shapes 12, 13
| pitch | NTSC | note | cent | PAL | note | cent
|------:|--------:|:----:|-----:|--------:|:----:|-----:
| 0 | 5240.0 | E-8 | -11 | 5200.0 | E-8 | -25
| 1 | 2620.0 | E-7 | -11 | 2600.0 | E-7 | -25
| 2 | 1746.6 | A-6 | -14 | 1733.3 | A-6 | -27
| 3 | 1310.0 | E-6 | -11 | 1300.0 | E-6 | -25
| 4 | 1048.0 | C-6 | +2 | 1040.0 | C-6 | -11
| 5 | 873.3 | A-5 | -14 | 866.7 | A-5 | -27
| 6 | 748.6 | F#5 | +20 | 742.9 | F#5 | +7
| 7 | 655.0 | E-5 | -12 | 650.0 | E-5 | -25
| 8 | 582.2 | D-5 | -16 | 577.8 | D-5 | -29
| 9 | 524.0 | C-5 | +2 | 520.0 | C-5 | -11
| 10 | 476.4 | A#4 | +39 | 472.7 | A#4 | +23
| 11 | 436.7 | A-4 | -13 | 433.3 | A-4 | -27
| 12 | 403.1 | G-4 | +48 | 400.0 | G-4 | +34
| 13 | 374.3 | F#4 | +20 | 371.4 | F#4 | +6
| 14 | 349.3 | F-4 | 0.0 | 346.7 | F-4 | -13
| 15 | 327.5 | E-4 | -11 | 325.0 | E-4 | -25
| 16 | 308.2 | D#4 | -17 | 305.9 | D#4 | -30
| 17 | 291.1 | D-4 | -16 | 288.9 | D-4 | -29
| 18 | 275.8 | C#4 | -9 | 273.7 | C#4 | -22
| 19 | 262.0 | C-4 | +3 | 260.0 | C-4 | -11
| 20 | 249.5 | B-3 | +18 | 247.6 | B-3 | +5
| 21 | 238.2 | A#3 | +37 | 236.4 | A#3 | +24
| 22 | 227.8 | A#3 | -40 | 226.1 | A-3 | +47
| 23 | 218.3 | A-3 | -14 | 216.7 | A-3 | -27
| 24 | 209.6 | G#3 | +15 | 208.0 | G#3 | +2
| 25 | 201.5 | G-3 | +47 | 200.0 | G-3 | +34
| 26 | 194.1 | G-3 | -17 | 192.6 | G-3 | -31
| 27 | 187.1 | F#3 | +19 | 185.7 | F#3 | +6
| 28 | 180.7 | F#3 | -41 | 179.3 | F-3 | +45
| 29 | 174.7 | F-3 | +1 | 173.3 | F-3 | -13
| 30 | 169.0 | E-3 | +43 | 167.7 | E-3 | +30
| 31 | 163.8 | E-3 | -11 | 162.5 | E-3 | -25
## shapes 14, 15
| pitch | NTSC | note | cent | PAL | note | cent
|------:|--------:|:----:|-----:|--------:|:----:|-----:
| 0 | 338.1 | E-4 | +43 | 335.5 | E-4 | +30
| 1 | 169.0 | E-3 | +43 | 167.7 | E-3 | +30
| 2 | 112.7 | A-2 | +42 | 111.8 | A-2 | +28
| 3 | 84.5 | E-2 | +43 | 83.9 | E-2 | +31
| 4 | 67.6 | C#2 | -44 | 67.1 | C-2 | +44
| 5 | 56.3 | A-1 | +39 | 55.9 | A-1 | +27
| 6 | 48.3 | G-1 | -25 | 47.9 | G-1 | -39
| 7 | 42.3 | E-1 | +44 | 41.9 | E-1 | +28
| 8 | 37.6 | D-1 | +41 | 37.3 | D-1 | +27
| 9 | 33.8 | C#1 | -42 | 33.5 | C-1 | +42
| 10 | 30.7 | B-0 | -11 | 30.5 | B-0 | -22
| 11 | 28.2 | A-0 | +44 | 28.0 | A-0 | +31
| 12 | 26.0 | G#0 | 0.0 | 25.8 | G#0 | -13
| 13 | 24.1 | G-0 | -29 | 24.0 | G-0 | -36
| 14 | 22.5 | F#0 | -46 | 22.4 | F-0 | +46
| 15 | 21.1 | E-0 | +42 | 21.0 | E-0 | +33
| 16 | 19.9 | D#0 | +42 | 19.7 | D#0 | +25
| 17 | 18.8 | D-0 | +40 | 18.6 | D-0 | +20
| 18 | 17.8 | C#0 | +45 | 17.7 | C#0 | +36
| 19 | 16.9 | C#0 | -44 | 16.8 | C-0 | +44
| 20 | 16.1 | C-0 | -30 | 16.0 | C-0 | -40
| 21 | 15.4 | | | 15.2
| 22 | 14.7 | | | 14.6
| 23 | 14.1 | | | 14
| 24 | 13.5 | | | 13.4
| 25 | 13.0 | | | 12.9
| 26 | 12.5 | | | 12.4
| 27 | 12.1 | | | 12
| 28 | 11.7 | | | 11.6
| 29 | 11.3 | | | 11.2
| 30 | 10.9 | | | 10.8
| 31 | 10.6 | | | 10.5
reference: [Atari 2600 VCS Sound Frequency and Waveform Guide](http://7800.8bitdev.org/index.php/Atari_2600_VCS_Sound_Frequency_and_Waveform_Guide)

5
doc/README.md
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@ -25,8 +25,3 @@ writers:
- WindowxDeveloper
- polluks
- Electric Keet
other:
- [3-pattern/keyboard.png](3-pattern/keyboard.png) licensed under CC-BY-SA 3.0.
- this is a derivative of [KB United States.svg](https://en.wikipedia.org/wiki/File:KB_United_States.svg) by Denelson83 under the same license.

98
papers/clipboard-format.md Normal file
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@ -0,0 +1,98 @@
# clipboard format
when copying pattern data from Furnace, it's stored in the clipboard as plain text.
```
org.tildearrow.furnace - Pattern Data (144)
```
this top line of text is always the same except for the number in parentheses, which is the internal build number. for example, 0.6pre7 is `162`.
the second line is a number between 0 and 18 (decimal) which indicates which column the clip starts from.
- `0`: note.
- `1`: instrument.
- `2`: volume.
- `3`: effect 1 type.
- `4`: effect 1 value. effect type is always included in the clip, even if skipped over.
- `5`: effect 2 type.
- `6`: effect 2 value. effect type is always included in the clip, even if skipped over.
- `7`: effect 3 type...
- ...and so on.
examples of the starting column:
```
org.tildearrow.furnace - Pattern Data (144)
0
D-6007F08080706|...........|
...............|...........|
...............|A#500..080F|
...............|...........|
```
```
org.tildearrow.furnace - Pattern Data (144)
1
007F08080706|...........|
............|...........|
............|A#500..080F|
............|...........|
```
```
org.tildearrow.furnace - Pattern Data (144)
2
7F08080706|...........|
..........|...........|
..........|A#500..080F|
..........|...........|
```
```
org.tildearrow.furnace - Pattern Data (144)
3
08080706|...........|
........|...........|
........|A#500..080F|
........|...........|
```
```
org.tildearrow.furnace - Pattern Data (144)
4
08080706|...........|
........|...........|
........|A#500..080F|
........|...........|
```
```
org.tildearrow.furnace - Pattern Data (144)
5
0706|...........|
....|...........|
....|A#500..080F|
....|...........|
```
```
org.tildearrow.furnace - Pattern Data (144)
6
0706|...........|
....|...........|
....|A#500..080F|
....|...........|
```
```
org.tildearrow.furnace - Pattern Data (144)
0
...........|
...........|
A#500..080F|
...........|
```
each line following the column number is verbatim from the pattern view with channels separated by `|`. each line also ends in `|`.
notes use the default settings for note display (no German notation), including note off `OFF`, note release `===`, and macro release `REL`.