Making requested fixes.
Fixed those dashes and that pesky semicolon.
This commit is contained in:
parent
0ec451726c
commit
bbcf4c34ed
|
@ -32,5 +32,5 @@ The **order list** is a smaller spreadsheet showing the overall song structure.
|
||||||
Different chips have different capabilities. Even within the same chip, each channel may have its own ways of making sound.
|
Different chips have different capabilities. Even within the same chip, each channel may have its own ways of making sound.
|
||||||
- Some channels use one or more waveform **generators** (sine, square, noise...) to build up a sound.
|
- Some channels use one or more waveform **generators** (sine, square, noise...) to build up a sound.
|
||||||
- Of special note are **[FM (frequency modulation)](../4-instrument/fm.md)** channels, which use a number of generators called **operators** that can interact to make very complex sounds.
|
- Of special note are **[FM (frequency modulation)](../4-instrument/fm.md)** channels, which use a number of generators called **operators** that can interact to make very complex sounds.
|
||||||
- Some channels use **[samples](../6-sample/README.md)** – recordings of sounds, often with defined loop points to allow a note to sustain.
|
- Some channels use **[samples](../6-sample/README.md)** - recordings of sounds, often with defined loop points to allow a note to sustain.
|
||||||
- Some channels use **[wavetables](../5-wave/README.md)**, which are like very short samples of fixed length that automatically loop.
|
- Some channels use **[wavetables](../5-wave/README.md)**, which are like very short samples of fixed length that automatically loop.
|
|
@ -11,7 +11,7 @@ All of this metadata will be included in a VGM export. This isn't the case for a
|
||||||
|
|
||||||
# subsongs
|
# subsongs
|
||||||
|
|
||||||
This window allows one to create **subsongs** – multiple individual songs within a single file. Each song has its own order list and patterns, but all songs within a file share the same chips, samples, and so forth.
|
This window allows one to create **subsongs** - multiple individual songs within a single file. Each song has its own order list and patterns, but all songs within a file share the same chips, samples, and so forth.
|
||||||
|
|
||||||
- The drop-down box selects the current subsong.
|
- The drop-down box selects the current subsong.
|
||||||
- The **`+`** button adds a new subsong.
|
- The **`+`** button adds a new subsong.
|
||||||
|
|
|
@ -94,6 +94,6 @@ Finally, the sequence of values can be directly edited in the text box at the bo
|
||||||
![LFO macro editor](macro-LFO.png)
|
![LFO macro editor](macro-LFO.png)
|
||||||
|
|
||||||
- **Bottom** and **Top** determine the range of values generated by the macro. (Bottom can be larger than Top to invert the waveform!)
|
- **Bottom** and **Top** determine the range of values generated by the macro. (Bottom can be larger than Top to invert the waveform!)
|
||||||
- **Speed** is how quickly the values change – the frequency of the oscillator.
|
- **Speed** is how quickly the values change - the frequency of the oscillator.
|
||||||
- **Phase** is which part of the waveform the macro will start at, measured in 1/1024 increments.
|
- **Phase** is which part of the waveform the macro will start at, measured in 1/1024 increments.
|
||||||
- **Shape** is the waveform used. Triangle is the default, and Saw and Square are exactly as they say.
|
- **Shape** is the waveform used. Triangle is the default, and Saw and Square are exactly as they say.
|
||||||
|
|
|
@ -19,4 +19,4 @@ furthermore, it has some PCM and LFO!
|
||||||
- when LFO is enabled, channel 2 is muted and its output is passed to channel 1's frequency.
|
- when LFO is enabled, channel 2 is muted and its output is passed to channel 1's frequency.
|
||||||
- `13xx`: **set LFO speed.**
|
- `13xx`: **set LFO speed.**
|
||||||
- `17xx`: **toggle PCM mode.**
|
- `17xx`: **toggle PCM mode.**
|
||||||
- _this effect is here for compatibility reasons;_ it is otherwise recommended to use Sample type instruments (which automatically enable PCM mode when used).
|
- _this effect is here for compatibility reasons_; it is otherwise recommended to use Sample type instruments (which automatically enable PCM mode when used).
|
||||||
|
|
|
@ -1,6 +1,6 @@
|
||||||
# PC Speaker
|
# PC Speaker
|
||||||
|
|
||||||
40 years of one square beep – and still going! Single channel, no volume control...
|
40 years of one square beep - and still going! Single channel, no volume control...
|
||||||
|
|
||||||
# real output
|
# real output
|
||||||
|
|
||||||
|
|
|
@ -2,7 +2,7 @@
|
||||||
|
|
||||||
a computer from 1977 which was leader on US schools back then. subsequently the Apple II took its throne.
|
a computer from 1977 which was leader on US schools back then. subsequently the Apple II took its throne.
|
||||||
|
|
||||||
maybe no better than a computer terminal, but somebody discovered a way to update the screen at turbo rate – and eventually its sound "chip" (it was nothing more than an 8-bit shift register) was abused as well.
|
maybe no better than a computer terminal, but somebody discovered a way to update the screen at turbo rate - and eventually its sound "chip" (it was nothing more than an 8-bit shift register) was abused as well.
|
||||||
|
|
||||||
some of these didn't even have sound...
|
some of these didn't even have sound...
|
||||||
|
|
||||||
|
|
|
@ -1,6 +1,6 @@
|
||||||
# Ricoh RF5C68
|
# Ricoh RF5C68
|
||||||
|
|
||||||
YM2612's sidekick – poor man's SNES DSP. 8-channel PCM sample-based synthesizer used in Sega CD, Fujitsu FM Towns and some of Sega's arcade machines. supports up to 64KB of external PCM data.
|
YM2612's sidekick - poor man's SNES DSP. 8-channel PCM sample-based synthesizer used in Sega CD, Fujitsu FM Towns and some of Sega's arcade machines. supports up to 64KB of external PCM data.
|
||||||
|
|
||||||
# effects
|
# effects
|
||||||
|
|
||||||
|
|
|
@ -8,7 +8,7 @@ Allumer rebadged it for their own arcade hardware.
|
||||||
it has 16 channels, which can all be switched between PCM sample or wavetable playback mode.
|
it has 16 channels, which can all be switched between PCM sample or wavetable playback mode.
|
||||||
wavetable playback needs to paired with envelope, similar to AY PSG, but shapes are stored in RAM and as such are user-definable.
|
wavetable playback needs to paired with envelope, similar to AY PSG, but shapes are stored in RAM and as such are user-definable.
|
||||||
|
|
||||||
in Furnace, this chip can be configured for original arcade mono output or stereo output – it simulates early 'incorrect' emulation on some mono hardware, but it is also based on the assumption that each channel is connected to each output.
|
in Furnace, this chip can be configured for original arcade mono output or stereo output - it simulates early 'incorrect' emulation on some mono hardware, but it is also based on the assumption that each channel is connected to each output.
|
||||||
|
|
||||||
# waveform types
|
# waveform types
|
||||||
|
|
||||||
|
|
Loading…
Reference in New Issue