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Oops! Botched the TIA pitch tables. All good now.

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Always double-check your regexes and their results. Triple-check, maybe.
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Electric Keet 2023-07-25 11:02:58 -07:00 committed by tildearrow
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doc/7-systems/tia.md
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@ -33,6 +33,43 @@ Furnace isn't complete without this one...
pitch number can be used for absolute notes in arpeggio macros. pitch number can be used for absolute notes in arpeggio macros.
## shape 1
| pitch | NTSC | note | cent | PAL | note | cent
|------:|--------:|:----:|-----:|--------:|:----:|-----:
| 0 | 2096.0 | C-7 | +2 | 2080.0 | C-7 | -1
| 1 | 1048.0 | C-6 | +2 | 1040.0 | C-6 | -1
| 2 | 698.7 | F-5 | 0.0| 693.3 | F-5 | -1
| 3 | 524.0 | C-5 | +2 | 520.0 | C-5 | -1
| 4 | 419.2 | G#4 | +16 | 416.0 | G#4 | +3
| 5 | 349.3 | F-4 | 0.0| 346.7 | F-4 | -13
| 6 | 299.4 | D-4 | +33 | 297.1 | D-4 | +20
| 7 | 262.0 | C-4 | +3 | 260.0 | C-4 | -11
| 8 | 232.9 | A#3 | -2 | 231.1 | A#3 | -15
| 9 | 209.6 | G#3 | +15 | 208.0 | G#3 | +2
| 10 | 190.5 | F#3 | +50 | 189.1 | F#3 | +37
| 11 | 174.7 | F-3 | +1 | 173.3 | F-3 | -13
| 12 | 161.2 | E-3 | -39 | 160.0 | D#3 | +48
| 13 | 149.7 | D-3 | +33 | 148.6 | D-3 | +20
| 14 | 139.7 | C#3 | +13 | 138.7 | C#3 | +1
| 15 | 131.0 | C-3 | +3 | 130.0 | C-3 | -11
| 16 | 123.3 | B-2 | -3 | 122.4 | B-2 | -16
| 17 | 116.4 | A#2 | 0.0| 115.6 | A#2 | -14
| 18 | 110.3 | A-2 | +5 | 109.5 | A-2 | -8
| 19 | 104.8 | G#2 | +16 | 104.0 | G#2 | +3
| 20 | 99.8 | G-2 | +31 | 99.0 | G-2 | +17
| 21 | 95.3 | G-2 | -49 | 94.5 | F#2 | +36
| 22 | 91.1 | F#2 | -27 | 90.4 | F#2 | -40
| 23 | 87.3 | F-2 | 0.0| 86.7 | F-2 | -12
| 24 | 83.8 | E-2 | +29 | 83.2 | E-2 | +16
| 25 | 80.6 | E-2 | -39 | 80.0 | D#2 | +48
| 26 | 77.6 | D#2 | -5 | 77.0 | D#2 | -18
| 27 | 74.9 | D-2 | +34 | 74.3 | D-2 | +20
| 28 | 72.3 | D-2 | -27 | 71.7 | D-2 | -41
| 29 | 69.9 | C#2 | +15 | 69.3 | C#2 | 0
| 30 | 67.6 | C#2 | -44 | 67.1 | C-2 | +44
| 31 | 65.5 | C-2 | +3 | 65.0 | C-2 | -11
## shapes 2, 3 ## shapes 2, 3
| pitch | NTSC | note | cent | PAL | note | cent | pitch | NTSC | note | cent | PAL | note | cent
@ -74,14 +111,14 @@ pitch number can be used for absolute notes in arpeggio macros.
| pitch | NTSC | note | cent | PAL | note | cent | pitch | NTSC | note | cent | PAL | note | cent
|------:|--------:|:----:|-----:|--------:|:----:|-----: |------:|--------:|:----:|-----:|--------:|:----:|-----:
| 0 | 15720.0 | A#9 | -9 | 15600.0 | A#9 | -23 | 0 | 15720.0 | B-9 | -9 | 15600.0 | B-9 | -23
| 1 | 7860.0 | A#8 | -9 | 7800.0 | A#8 | -23 | 1 | 7860.0 | B-8 | -9 | 7800.0 | B-8 | -23
| 2 | 5240.0 | E-8 | -11 | 5200.0 | E-8 | -25 | 2 | 5240.0 | E-8 | -11 | 5200.0 | E-8 | -25
| 3 | 3930.0 | A#7 | -10 | 3900.0 | A#7 | -23 | 3 | 3930.0 | B-7 | -10 | 3900.0 | B-7 | -23
| 4 | 3144.0 | G-7 | +4 | 3120.0 | G-7 | -9 | 4 | 3144.0 | G-7 | +4 | 3120.0 | G-7 | -9
| 5 | 2620.0 | E-7 | -11 | 2600.0 | E-7 | -25 | 5 | 2620.0 | E-7 | -11 | 2600.0 | E-7 | -25
| 6 | 2245.7 | C#7 | +21 | 2228.6 | C#7 | +8 | 6 | 2245.7 | C#7 | +21 | 2228.6 | C#7 | +8
| 7 | 1965.0 | A#6 | -9 | 1950.0 | A#6 | -23 | 7 | 1965.0 | B-6 | -9 | 1950.0 | B-6 | -23
| 8 | 1746.7 | A-6 | -13 | 1733.3 | A-6 | -27 | 8 | 1746.7 | A-6 | -13 | 1733.3 | A-6 | -27
| 9 | 1572.0 | G-6 | +4 | 1560.0 | G-6 | -9 | 9 | 1572.0 | G-6 | +4 | 1560.0 | G-6 | -9
| 10 | 1429.1 | F-6 | +39 | 1418.2 | F-6 | +25 | 10 | 1429.1 | F-6 | +39 | 1418.2 | F-6 | +25
@ -89,7 +126,7 @@ pitch number can be used for absolute notes in arpeggio macros.
| 12 | 1209.2 | D-6 | +49 | 1200.0 | D-6 | +36 | 12 | 1209.2 | D-6 | +49 | 1200.0 | D-6 | +36
| 13 | 1122.9 | C#6 | +22 | 1114.3 | C#6 | +8 | 13 | 1122.9 | C#6 | +22 | 1114.3 | C#6 | +8
| 14 | 1048.0 | C-6 | +2 | 1040.0 | C-6 | -11 | 14 | 1048.0 | C-6 | +2 | 1040.0 | C-6 | -11
| 15 | 982.5 | A#5 | -10 | 975.0 | A#5 | -23 | 15 | 982.5 | B-5 | -10 | 975.0 | B-5 | -23
| 16 | 924.7 | A#5 | -15 | 917.6 | A#5 | -28 | 16 | 924.7 | A#5 | -15 | 917.6 | A#5 | -28
| 17 | 873.3 | A-5 | -14 | 866.7 | A-5 | -27 | 17 | 873.3 | A-5 | -14 | 866.7 | A-5 | -27
| 18 | 827.4 | G#5 | -7 | 821.1 | G#5 | -20 | 18 | 827.4 | G#5 | -7 | 821.1 | G#5 | -20
@ -104,21 +141,21 @@ pitch number can be used for absolute notes in arpeggio macros.
| 27 | 561.4 | C#5 | +21 | 557.1 | C#5 | +8 | 27 | 561.4 | C#5 | +21 | 557.1 | C#5 | +8
| 28 | 542.1 | C#5 | -40 | 537.9 | C-5 | +47 | 28 | 542.1 | C#5 | -40 | 537.9 | C-5 | +47
| 29 | 524.0 | C-5 | +2 | 520.0 | C-5 | -11 | 29 | 524.0 | C-5 | +2 | 520.0 | C-5 | -11
| 30 | 507.1 | A#4 | +45 | 503.2 | A#4 | +32 | 30 | 507.1 | B-4 | +45 | 503.2 | B-4 | +32
| 31 | 491.3 | A#4 | -9 | 487.5 | A#4 | -23 | 31 | 491.3 | B-4 | -9 | 487.5 | B-4 | -23
## shapes 6, 7, 9, 10 ## shapes 6, 7, 9, 10
| pitch | NTSC | note | cent | PAL | note | cent | pitch | NTSC | note | cent | PAL | note | cent
|------:|--------:|:----:|-----:|--------:|:----:|-----: |------:|--------:|:----:|-----:|--------:|:----:|-----:
| 0 | 1014.2 | A#5 | +45 | 1006.5 | A#5 | +32 | 0 | 1014.2 | B-5 | +45 | 1006.5 | B-5 | +32
| 1 | 507.1 | A#4 | +45 | 503.2 | A#4 | +32 | 1 | 507.1 | B-4 | +45 | 503.2 | B-4 | +32
| 2 | 338.1 | E-4 | +43 | 335.5 | E-4 | +30 | 2 | 338.1 | E-4 | +43 | 335.5 | E-4 | +30
| 3 | 253.5 | A#3 | +45 | 251.6 | A#3 | +32 | 3 | 253.5 | B-3 | +45 | 251.6 | B-3 | +32
| 4 | 202.8 | G#3 | -42 | 201.3 | G-3 | +45 | 4 | 202.8 | G#3 | -42 | 201.3 | G-3 | +45
| 5 | 169.0 | E-3 | +43 | 167.7 | E-3 | +30 | 5 | 169.0 | E-3 | +43 | 167.7 | E-3 | +30
| 6 | 144.9 | D-3 | -23 | 143.8 | D-3 | -37 | 6 | 144.9 | D-3 | -23 | 143.8 | D-3 | -37
| 7 | 126.8 | A#2 | +42 | 125.8 | A#2 | +32 | 7 | 126.8 | B-2 | +42 | 125.8 | B-2 | +32
| 8 | 112.7 | A-2 | +42 | 111.8 | A-2 | +28 | 8 | 112.7 | A-2 | +42 | 111.8 | A-2 | +28
| 9 | 101.4 | G#2 | -41 | 100.6 | G-2 | +45 | 9 | 101.4 | G#2 | -41 | 100.6 | G-2 | +45
| 10 | 92.2 | F#2 | -6 | 91.5 | F#2 | -19 | 10 | 92.2 | F#2 | -6 | 91.5 | F#2 | -19
@ -126,7 +163,7 @@ pitch number can be used for absolute notes in arpeggio macros.
| 12 | 78.0 | D#2 | +4 | 77.4 | D#2 | -9 | 12 | 78.0 | D#2 | +4 | 77.4 | D#2 | -9
| 13 | 72.4 | D-2 | -24 | 71.9 | D-2 | -37 | 13 | 72.4 | D-2 | -24 | 71.9 | D-2 | -37
| 14 | 67.6 | C#2 | -44 | 67.1 | C-2 | +44 | 14 | 67.6 | C#2 | -44 | 67.1 | C-2 | +44
| 15 | 63.4 | A#1 | +46 | 62.9 | A#1 | +32 | 15 | 63.4 | B-1 | +46 | 62.9 | B-1 | +32
| 16 | 59.7 | A#1 | +41 | 59.2 | A#1 | +26 | 16 | 59.7 | A#1 | +41 | 59.2 | A#1 | +26
| 17 | 56.3 | A-1 | +39 | 55.9 | A-1 | +27 | 17 | 56.3 | A-1 | +39 | 55.9 | A-1 | +27
| 18 | 53.4 | G#1 | +48 | 53.0 | G#1 | +35 | 18 | 53.4 | G#1 | +48 | 53.0 | G#1 | +35
@ -142,15 +179,15 @@ pitch number can be used for absolute notes in arpeggio macros.
| 28 | 35.0 | C#1 | +19 | 34.7 | C#1 | +5 | 28 | 35.0 | C#1 | +19 | 34.7 | C#1 | +5
| 29 | 33.8 | C#1 | -42 | 33.5 | C-1 | +42 | 29 | 33.8 | C#1 | -42 | 33.5 | C-1 | +42
| 30 | 32.7 | C-1 | 0.0 | 32.5 | C-1 | -11 | 30 | 32.7 | C-1 | 0.0 | 32.5 | C-1 | -11
| 31 | 31.7 | A#0 | +44 | 31.5 | A#0 | +33 | 31 | 31.7 | B-0 | +44 | 31.5 | B-0 | +33
## shapes 8 ## shapes 8
| pitch | NTSC | note | cent | PAL | note | cent | pitch | NTSC | note | cent | PAL | note | cent
|------:|--------:|:----:|-----:|--------:|:----:|-----: |------:|--------:|:----:|-----:|--------:|:----:|-----:
| 0 | 61.5 | A#1 | -6 | 61.1 | A#1 | -18 | 0 | 61.5 | B-1 | -6| 61.1 | B-1 | -18
| 1 | 30.8 | A#0 | -6 | 30.5 | A#0 | -22 | 1 | 30.8 | B-0 | -6| 30.5 | B-0 | -22
| 2 | 20.5 | E-0 | -8 | 20.4 | E-0 | -17 | 2 | 20.5 | E-0 | -8| 20.4 | E-0 | -17
| 3 | 15.4 | | | 15.3 | 3 | 15.4 | | | 15.3
| 4 | 12.3 | | | 12.2 | 4 | 12.3 | | | 12.2
| 5 | 10.3 | | | 10.2 | 5 | 10.3 | | | 10.2
@ -177,8 +214,8 @@ pitch number can be used for absolute notes in arpeggio macros.
| 26 | 2.3 | | | 2.3 | 26 | 2.3 | | | 2.3
| 27 | 2.2 | | | 2.2 | 27 | 2.2 | | | 2.2
| 28 | 2.1 | | | 2.1 | 28 | 2.1 | | | 2.1
| 29 | 2.0 | | | 2 | 29 | 2.0 | | | 2.0
| 30 | 2.0 | | | 2 | 30 | 2.0 | | | 2.0
| 31 | 1.9 | | | 1.9 | 31 | 1.9 | | | 1.9
## shapes 12, 13 ## shapes 12, 13
@ -205,7 +242,7 @@ pitch number can be used for absolute notes in arpeggio macros.
| 17 | 291.1 | D-4 | -16 | 288.9 | D-4 | -29 | 17 | 291.1 | D-4 | -16 | 288.9 | D-4 | -29
| 18 | 275.8 | C#4 | -9 | 273.7 | C#4 | -22 | 18 | 275.8 | C#4 | -9 | 273.7 | C#4 | -22
| 19 | 262.0 | C-4 | +3 | 260.0 | C-4 | -11 | 19 | 262.0 | C-4 | +3 | 260.0 | C-4 | -11
| 20 | 249.5 | A#3 | +18 | 247.6 | A#3 | +5 | 20 | 249.5 | B-3 | +18 | 247.6 | B-3 | +5
| 21 | 238.2 | A#3 | +37 | 236.4 | A#3 | +24 | 21 | 238.2 | A#3 | +37 | 236.4 | A#3 | +24
| 22 | 227.8 | A#3 | -40 | 226.1 | A-3 | +47 | 22 | 227.8 | A#3 | -40 | 226.1 | A-3 | +47
| 23 | 218.3 | A-3 | -14 | 216.7 | A-3 | -27 | 23 | 218.3 | A-3 | -14 | 216.7 | A-3 | -27
@ -222,7 +259,7 @@ pitch number can be used for absolute notes in arpeggio macros.
| pitch | NTSC | note | cent | PAL | note | cent | pitch | NTSC | note | cent | PAL | note | cent
|------:|--------:|:----:|-----:|--------:|:----:|-----: |------:|--------:|:----:|-----:|--------:|:----:|-----:
| 0 | 338.1 |.0E-4 | +43 | 335.5 | E-4 | +30 | 0 | 338.1 | E-4 | +43 | 335.5 | E-4 | +30
| 1 | 169.0 | E-3 | +43 | 167.7 | E-3 | +30 | 1 | 169.0 | E-3 | +43 | 167.7 | E-3 | +30
| 2 | 112.7 | A-2 | +42 | 111.8 | A-2 | +28 | 2 | 112.7 | A-2 | +42 | 111.8 | A-2 | +28
| 3 | 84.5 | E-2 | +43 | 83.9 | E-2 | +31 | 3 | 84.5 | E-2 | +43 | 83.9 | E-2 | +31
@ -232,7 +269,7 @@ pitch number can be used for absolute notes in arpeggio macros.
| 7 | 42.3 | E-1 | +44 | 41.9 | E-1 | +28 | 7 | 42.3 | E-1 | +44 | 41.9 | E-1 | +28
| 8 | 37.6 | D-1 | +41 | 37.3 | D-1 | +27 | 8 | 37.6 | D-1 | +41 | 37.3 | D-1 | +27
| 9 | 33.8 | C#1 | -42 | 33.5 | C-1 | +42 | 9 | 33.8 | C#1 | -42 | 33.5 | C-1 | +42
| 10 | 30.7 | A#0 | -11 | 30.5 | A#0 | -22 | 10 | 30.7 | B-0 | -11 | 30.5 | B-0 | -22
| 11 | 28.2 | A-0 | +44 | 28.0 | A-0 | +31 | 11 | 28.2 | A-0 | +44 | 28.0 | A-0 | +31
| 12 | 26.0 | G#0 | 0.0 | 25.8 | G#0 | -13 | 12 | 26.0 | G#0 | 0.0 | 25.8 | G#0 | -13
| 13 | 24.1 | G-0 | -29 | 24.0 | G-0 | -36 | 13 | 24.1 | G-0 | -29 | 24.0 | G-0 | -36