a fictional chip created by LTVA. the idea is to stay vaguely in the [SID](c64.md)-like category of chips, but add a lot of features and more channels.
- two phase accumulator based oscillators, one for tone and one for noise LFSR clocking; frequency range is from 0.001Hz to around 15kHz at default clock speed.
- 5 waveform types which can be enabled in any combination: pulse (with 16-bit pulse width control), triangle, sawtooth, noise and so called special wave.
- there are 58 different special waves, including all [OPL3](opl.md) and [OPZ](opz.md) waveforms, their clipped versions, cubed sawtooth and triangle variations, and more...
- noise is generated from 30-bit LFSR. like in C64, eight of the bits are used to form 8-bit noise signal. user can adjust feedback freely, any bit can be a feedback bit. some feedback bits' configurations produce very short looped noise which is perceived as tone. see the [SID3 instrument description](../4-instrument/sid3.md) for notable feedback bit configurations which are automatically detected by Furnace: upon detection noise frequency is adjusted in such a way that fundamental frequency of such tonal noise becomes the note frequency the channel is currently playing (noise stays in tune).
- 1-bit noise mode is available for [AY](ay8910.md) fans. it this mode the highest LFSR bit is read as output. by rapidly switching between usual and 1-bit noise modes one can produce interesting rattling-like percussive sound.
- 5 waveform mixing modes: 8580 SID (C64's combined waves; mode does bitwise AND with noise and special wave), bitwise AND, bitwise OR, bitwise XOR and sum of oscillators' signals.
- hard sync between channels. each channel can have any other channel as sync source, even itself.
- ring modulation between channels. each channel can have any other channel as modulation source, even itself. when you self-modulate, you effectively square the signal, but the behavior is a bit different.
- phase modulation between channels. each channel can have any other channel as modulation source, even itself. when you self-modulate, you have an effect similar to enabling strong feedback. channel output after filters is used as modulation source.
- ADSR envelope with sustain rate setting (how fast sound decays when envelope is in sustain phase).
- 4 independent filters. each filter has its own cutoff, resonance, output volume, mode, on/off, and distortion setting. each filter can be connected to channel's ADSR output. each filter's output can be routed to the final channel output. each filter output can be connected to each filter's input (full connection matrix).
- distortion is a simple asymmetrical distortion with hyperbolic tangent function for positive half of the wave and exponential function for negative half.
- several filters can be chained for flexible subtractive synth or to increase filter's slope (which is 12 dB/octave for a single filter).
- multiple filter modes can be selected simultaneously. for example, selecting both "low" and "high" results in a bandstop (notch) filter.
- adjustable feedback. feedback saves two previous channel's outputs and adds them to an accumulator on the next step before computing the waveform signal.
- fine control over left and right channel panning.
- left and right channels' signals can be inverted to create simple "surround" sound.
ADSR can be reset to the start of attack phase. phase of tone and noise oscillators can also be reset, and with noise oscillator reset noise LFSR is also reset to initial state.
wave channel has all these features, except, obviously, waveform generation stage, as well as feedback and noise generator.
## effects
-`1xxx`: **set filter 1 cutoff.**`xxx` range is `000` to `FFF`.
-`2xxx`: **set filter 2 cutoff.**`xxx` range is `000` to `FFF`.
-`3xxx`: **set filter 3 cutoff.**`xxx` range is `000` to `FFF`.
-`4xxx`: **set filter 4 cutoff.**`xxx` range is `000` to `FFF`.
-`5xxx`: **set duty cycle.**`xxx` range is `000` to `FFF`.
-`60xx`: **change wave.** lower 5 bits specify the wave:
-`bit 0`: triangle
-`bit 1`: saw
-`bit 2`: pulse
-`bit 3`: noise
-`bit 4`: special wave
-`61xx`: **change special wave.**`xx` range is `00` to `39`.
-`62xx`: **modulation control.** lower 3 bits control the modulation:
-`bit 0`: ring modulation
-`bit 1`: oscillator sync
-`bit 2`: phase modulation
-`63xy`: **reset duty cycle**:
- if `x` is not 0: on new note
- if `y` is not 0: now
-`64xx`: **set ring modulation source channel.**`xx` range is `00` to `07` where `07` means self-modulation and lower values specify a source channel.
-`65xx`: **set hard sync source channel.**`xx` is `00` to `06`.
-`66xx`: **set phase modulation source channel.**`xx` is `00` to `06`.
-`67xx`: **set attack.**`xx` range is `00` to `FF`.
-`68xx`: **set decay.**`xx` range is `00` to `FF`.
-`69xx`: **set sustain level.**`xx` range is `00` to `FF`.
-`6Axx`: **set sustain rate.**`xx` range is `00` to `FF`.
-`6Bxx`: **set release.**`xx` range is `00` to `FF`.
-`6Cxx`: **set waveform mix mode.**`xx` range is `00` to `04`.
-`6Dxx`: **set noise LFSR feedback bits (lower byte).**`xx` range is `00` to `FF`.
-`6Exx`: **set noise LFSR feedback bits (medium byte).**`xx` range is `00` to `FF`.
-`6Fxx`: **set noise LFSR feedback bits (higher byte).**`xx` range is `00` to `FF`.
-`70xx`: **set noise LFSR feedback bits (highest bits).**`xx` range is `00` to `3F`.
-`71xx`: **set filter 1 resonance.**`xx` range is `00` to `FF`.
-`72xx`: **set filter 2 resonance.**`xx` range is `00` to `FF`.
-`73xx`: **set filter 3 resonance.**`xx` range is `00` to `FF`.
-`74xx`: **set filter 4 resonance.**`xx` range is `00` to `FF`.
- **Quarter clock speed**: make chip run at quarter the default clock rate (1MHz is default). this lowers CPU load almost 4 times at the cost of filters becoming unstable or having different timbre at high cutoff and resonance settings. this option affects the chip only in playback mode. when rendering a module into an audio file, this option is not applied.
