mirror of
https://github.com/tildearrow/furnace.git
synced 2024-11-29 16:03:01 +00:00
update doc with Amiga vol/period mod info
This commit is contained in:
parent
20537d5af0
commit
76dec5f426
1 changed files with 22 additions and 0 deletions
|
@ -6,6 +6,28 @@ in this very computer music trackers were born...
|
||||||
|
|
||||||
imported MOD files use this chip, and will set A-4 tuning to 436.
|
imported MOD files use this chip, and will set A-4 tuning to 436.
|
||||||
|
|
||||||
|
## amplitude/period modulation
|
||||||
|
|
||||||
|
Amiga has support for (rather primitive) amplitude and period (frequency) modulation.
|
||||||
|
however, nobody has used this feature as it is rather useless, not well-documented and works in a complicated way.
|
||||||
|
|
||||||
|
Amiga sample playback is done by two chips: Paula (the one that you probably know) and Agnus (the one that actually feeds Paula with samples).
|
||||||
|
Agnus has several DMA (direct memory access) units which read from chip memory independent of the CPU. four of these DMA units are used for samples.
|
||||||
|
|
||||||
|
when DMA is enabled, Paula requests sample data from Agnus, and then plays these samples back.
|
||||||
|
there's a catch though. since the data bus is 16-bit, Paula requests **two** 8-bit samples at once! this explains why:
|
||||||
|
- the sample length registers are in words rather than bytes (thereby allowing samples up to 131070 in length)
|
||||||
|
- the maximum playback rate (31250Hz PAL; ~31469Hz NTSC) is two times the HBlank rate (Agnus fetches samples on HBlank, around 15625Hz on PAL or ~15734Hz on NTSC)
|
||||||
|
|
||||||
|
during normal sample playback, the first sample is output and then the second. afterwards, two more samples are fetched, and so on.
|
||||||
|
|
||||||
|
now, when amplitude or period modulation are enabled, things work differently.
|
||||||
|
the channel is silenced, and the two 8-bit samples are **treated as a big-endian 16-bit number**, which is then written to the next channel's volume or period.
|
||||||
|
|
||||||
|
in the case of amplitude modulation, only the second sample is significant because the volume register uses 7 bits (to represent 0 to 64 (65 to 127 are treated as 64)) and the other bits are ignored.
|
||||||
|
|
||||||
|
in the case of period modulation, both samples are significant. the first sample is the upper byte, and the second is the lower byte.
|
||||||
|
|
||||||
## effects
|
## effects
|
||||||
|
|
||||||
- `10xx`: **toggle low-pass filter.** `0` turns it off and `1` turns it on.
|
- `10xx`: **toggle low-pass filter.** `0` turns it off and `1` turns it on.
|
||||||
|
|
Loading…
Reference in a new issue